Index
Page 14
Aant van der Zee, Bauke de Vries
The Netherlands, Eindhoven University of Technology
Energy consumption as design principle re-investigated
Page 23
Alain Lioret
France, Université Paris VIII
Galatema : A Framework for Generative Cinema
Page 35
Alan Dunning, Paul Woodrow
Canada, Alberta College of Art + Design, University of Calgary
Machine imagination: closed eye hallucination and the Ganzfeld effect
Page 46
Alberto de Campo
Germany, Universität der Künste Berlin
Hannes Hoelzli
independent artist
Renate Wieser
Paderborn University Media Studies
Varia Zoosystematica Profundorum. Modelling deep sea communication
collaboratively
Page 62
Anthony Viscardi
US, Lehigh University
WITH DRAWING: to see if you see what you see
Page 77
Bassey Ndon
Nigeri, University of Uyo
Computer generative art: painting experience
Page91
Betül Tuncer, Sinan Mert Sener
Turkey, Doğuş University
“Mirror(er)” as a Plug-in for Urban Design
Page 99
Bisam Ehessan Alhafiz, Oday q. Abduqader Alchalabi
Iraq, University of Mosul
Generating the engineering prototypes by using AutoLisp software
Page 114
Celestino Soddu
Italy, Generative Design Lab, Politecnico di Milano
Curved spacetime perspective as generative engine. Intersubjectivity &
Contrapunctus
Page 128
Cui Jia, Ming Xi Tang
Hong Kong, The Hong Kong Polytechnic University
Chinese pattern design using generative shape grammar
Page 140
Daniel Bisig
Switzerland, Zurich University of the Arts
Tatsuo Unemi
Japan, Soka University
Cycles - Blending Natural and Artificial Properties in a Generative Artwork
Page 155
Enrica Colabella
Italy, Generative Design Lab, Politecnico di Milano
Sensus communis
Page 175
Hector Rodriguez
Hong Kong, City University of Hong Kong
Flowpoints: A Generative Image Creation Method Using Optical Flow
Page 190
Hyeri Rhee, Moonryul Jung
Korea, Sogang University, Seoul
Programmed life
Page 198
Ioannis Chatzikonstantinou
Greece
Structural Optimisation as a means for exploring structurally efficient surfaces.
Page 215
Jian You Li
Italy, Politecnico di Milano University
The Parametric Sketch in the Conceptual Stage of Industrial Design
Page 224
Karina Moraes Zarzar
The Netherlands, TUDelft
Innovation, Identity and Sustainability in H.P. Berlage’ Stock Exchange
Page 238
Katja Knecht, Reinhard König
Germany, Bauhaus-University Weimar
Generating floor plan layouts with K-D tree algorithms and evolutionary strategies
Page 254
Kenny K. N. Chow
Hong Kong, Hong Kong Polytechnic University
D. Fox Harrel
US, MIT
Embodied Generative Visual Renku: Metaphors through interactions
Page 270
Laurel Johannesson
Canada, University of Calgary; Alberta College of Art Design
Acqua del Velluto Sospesa ~ Interactive Video Painting
Page 286
Luis Alfonso de la Fuente Suarez
Spain, Polytechnic University of Catalonia
Architectural Complexity: Hiding the Underlying Order
Page 302
Marie-Pascale Corcuff
France, Ecole Nationale Supérieure d’Architecture de Bretagne
Forms,shapes, diagrams, and generative processes
Page 313
Mario Verdicchio
Italy, University of Bergamo
Generative vs Non-Generative Art in the Verification of the Institutional Stance
Page 319
Martha Gelarden
US, Moore College of Art and Design, 3D Fine Art, Philadelphia
Separated at Birth: A Secret Conversation
Page 320
Mehrdad Garousi, Mehdi Damali Amiri, Firouzeh Akbari, Hamed Akbari
Iran, Bu-Ali Sina University
Incendia and fractal architecture
Page 335
Michele Emmer
Italy, University of Roma “la sapienza”
The Idea of Space, from Topology to Virtual Architecture
Page 343
Miguel Carvalhais
Portugal, University of Porto
Towards a model for artificial aesthetics
Page 358
Myrto Theodoraki
Greece, National Technical University of Athens
Flows of movement: intensities, singularities and attractors as event generators
Page 372
N.Onur Sonmez, I. Sevil Sariyildiz, Arzu Erdem
Turkey, The Netherlands
Istanbul Technical University, Delft University of Technology
Automated evaluation and generation of graphic arrangements through adaptive
evolution
Page 385
Nikolay Popov
New Zealand, Unitec Institute of Technology
Exploring Architectural Possibilities with Flocking Algorithms.
Page 399
Philip Galanter
US, Texas A&M University
Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation
Page 410
Robert Spahr
US, Southern Illinois University Carbondale
Generative Art from Digital Leftovers or: How I Learned to Stop Worrying and Love
the CRUFT
Page 419
Sana Murrani
UK, University of Plymouth
Architecture of generative situations
Page 431
Silvia Titotto, Clice Mazzilli
Brazil, University of Sao Paulo
Carlo Ostorero
Italy, Politecnico di Torino
Bionic textiles
Page 440
Takao Kobayashi
Japan, Tokyo University of Agriculture and Technology
Contents creation system using pattern recognition Technology
Page 451
Tatsu Unemi
Japan, Soka University
A Breeding Tool for Abstract Animations and Its Applications
Page 459
Y. Fang
China, Tongji University, Shanghai
Generative Method in Traditional Chinese Garden Design
Index Posters and Installations
Page 472
Alison Clifford, Graeme Truslove
UK
University of the West of Scotland / Glasgow School of Art
Substratum: audiovisual artwork
Page 473
Enrica Colabella, Celestino Soddu
Italy
Generative Design Lab, Politecnico di Milano
The memory of lost: the garden of Eden
Page 474
Alberto de Campo
Germany
Universität der Künste Berlin
Varia Zoosystematica Profundorum
Page 475
Gaganjit Singh
India
artist
Polyhedra morphologies and drawing machines
Page 481
Isabela Ferrante
Brazil
University of Sao Paulo
Silvia Titotto
Italy
Politecnico di Torino
Moebius room
Page 488
Jason M. Reizner
Germany
Bauhaus-Universität Weimar
Quadruplicity Drinks Procrastination
Page 489
Kenny K. N. Chow
Hong Kong
Hong Kong Polytechnic University
D. Fox Harrel
US
MIT
Coding Landscapes, Crossing Metaphors
Page 490
Kazushi Mukaiyama
Japan
Future University Hakodate
WAVO: an interactive ball to express light waves with Wave equation
Page 494
Libero Acerbi
Italy
The wave particle of Art
Page 498
Manuel A. Báez
Canada
Carleton University, Azrieli School of Architecture & Urbanism,
The Phenomenological Garden
Page 500
Maris Cacka
Latvia
Daugavpils University, Department of Art and Design,
Design ideas in the context of design tendencies in latvia of DU students
Page 501
Mark-David Hosale
The Netherlands
artist
An Uncommon Affair At Tooting Bec Common
Page 502
Mehrdad Garousi
Iran
Seven pointed star
Page 503
Sujin Lee
South Korea
Sogang University Seoul
Time visualization by Other I’s
Page 513
Yota Morimoto
UK, The Netherlands
University of Birmingham, Institute of Sonology
s0: cellular automata audio-visual performance
Index Live-Performances
Page 516
André Rangel, Anne-Kathrin Siegel
Portugal
Universidade Católica Portuguesa, University of Porto
SoLu Hiperinstrument
Page 519
Dzenbii African Percussion Cultural Group
Ghana
Drums, singers and dancers
Page 520
Fernanda Nardy Bellicieri, Hânia Cecília Pilan
Brazil
Mackenzie University
The road: Passengers
Page 532
Florian Gruber, Nikolaus Hartmann, Thomas Lorenz
Austria
AmbientArtLab
Infection
Page 533
Lucas Kuzma
US
SPUNK
Page 534
Mauro Marcenaro, Bob Desnos
Italy
InstantKarma
Page 535
Giuseppe Caglioti, Marco Marcon, Tatiana V. Tchouvileva
Italy
Politecnico di Milano
The PiezoMusiColor Project
Page 536
Robert Spahr
US
Southern Illinois University Carbondale
American Dream Cycle