Papers
page 13
Abir Acharjee
UK, Bartlett School
of Graduate Studies,University College London
Optimised Paneling Solution
page 32
Alec Groysman
Israel, ORT Braude College of Engineering, Karmiel
Use of Art Media in Engineering and Scientific Education
page 47
Alison Clifford
UK, University of the West of Scotland/ Glasgow School of Art
Palimpsest: Articulating the Interstitial
page 57
Anastasios Maragiannis
UK, University of Greenwich
How to be Creative: Collaboration in Web 2.0 community with or
without text
page 68
Anthony Viscardi
US, Lehigh University
Play-tech-tonics
page 78
Ben
Baruch Blich
Israel, Bezalel Academy
of Arts and Design History and Theory, Jerusalem
Design and Architecture as a philosophical question
page 88
Benjamin Busch, Georg Ladurner
Germany, University of Stuttgart
Adaptive Structure: A Modular System for
Generative Architecture
page 99
Brian Evans
US, University of Alabama,
Dept. of Art & Art History
A Substrate for Creativity
page 110
Brigid Burke
Australia, University of Tasmania
The Process of Integrating Poly-media in
Blooms and Death
page 126
Celestino Soddu
Italy, Politecnico di Milano University
Generative Baroque Algorithms
page 141
Daria Migotina, Carlos Isidoro, Agostinho Rosa
Portugal, Technical University of Lisbon
Brain art: abstract visualization of sleeping brain
page 154
Daniela Sirbu, V.Sirbu
Canada,
University of Lethbridge, University of Alberta
A Framework for Artificial Creativity in Visual Arts
page 167
Dmitry Weise
Russia, International Society for
the
Interdisciplinary Study of Symmetry
Phyllotactic representation of
calendars
page 179
Enrica Colabella
Italy, Politecnico di Milano University
Generative Art Philosophy, Ars Artium
page 194
Florian J. Gruber
Austria, Vienna
University of Technology
Conceptual framework for generative design
page 206
Gaganjit Singh & Mario Verdicchio
India, Italy, Indian Researcher, University of Bergamo
A Web-based Survey to Evaluate the Aesthetic Impact of the Golden Ratio
page 217
James Basson
UK, Greenwich
University England.
How to walk
through walls!
Generative solution to naturalistic planting design
page 226
Jean-Paul
Courchia, Guigui Sarah, Righini Maud,
Courchia Benjamin, Courchia
Emmanuel
France, Israel,
US, Saint Joseph’s
Hospital, Dpt of Ophthalmology, Marseille; Ben
Gurion University, Israel; Yeshiva
University, New York.
USA
The work is the artist
page 230
Jennifer Galanis, Martin Ehler
Israel, Germany, Ben Gurion University of the Negev, Helmholtz
Zentrum Munich
Disorder Disguised as Order
page 241
Jian You Li
Taiwan, Italy, Politecnico di Milano University
The Combination of Generative Design and RP Technology
enable the
Individual Manufacturing
page 253
Karina
MoraesZarzar
The Netherlands, Independent Architect
Dutch FUSION Architecture: Regionalism or Globalism?
page 267
Kevin McGuire
Canada,
independent
A Turing Test for Generative Art
page 274
Laurel Johannesson
Canada, University of Calgary Computational Media Design
Acqua Vellutata Sospesa
page 287
Marcin Brzezicki
Poland,
Wroclaw University of Technology, ,Department of Architecture
Designer’s controlled and randomly generated moiré
patterns in architecture
page 301
Marie-Pascale Corcuff
France, ENSAB, GRIEF
Territories, boundaries, and connections
page 319
Michael Burt
Israel Technion, Israel Institute of Technology
Periodic 3-d
networks and
sponge surfaces and the
associated space
phenomenology. morphological fundamentals of 3-d
space theory
page 331
Miguel Carvalhais
Portugal, Universidade do Porto
A perspective
on
Perspective and the genesis of generative
narrative
page 342
Milena Stavric, Slavik Jablan
Austria, Serbia,
Graz University of Technology,
The Mathematical Institute, Belgrade
Advanced geometry of
modular tiles
page 357
Oday q. Abduqader, Omar
Adil Sabah, Bisam Ehessan Alhafiz
Iraq, University of Mosul College of engineering, Architectural dept. Shape
Reconstruction
Study of
alternative typologies of shaps
page 369
Peiman Amini Behbahani
Iran, Architect & Researcher
DeGRaM: Using chess-like settings as a design space for generative art and design
page 382
Peter
Beyls
Belgium, University College Ghent, School
of Arts
Found systems as glitch culture
page 393
Philip Galanter
US
Texas A&M University
An artist’s
perspective on minimalism, complexity, and generative art
page 403
Philipp Röhe Hansen Schlichting
Germany, Muthesius Kunsthochschule Kiel
About a special relationship: abstract art - aesthetics - mathematics
page 413
Robert Spahr
US, Southern Illinois University, Carbondale
Toward a Pedagogy of Generative Art
page 422
Ryuji Takaki
Japan,
Kobe Design University, Graduate School
of Design Research
Educational system of
science art for students of art and design
page 435
Tatsuo Unemi
Japan,
Soka University
SBArt4 as Automatic Art and Live
Performance Tool
page 447
Vesna Dragojlov, Hussein s. Abdulah,
Oday
Q.
abdulqader
US, Iraq, University
of Advancing Technology,
Multimedia Department,
Arizona; University of Mosul
Application of
the art and
architecture principles in the design
of spatial
models
page 465
Yeeun Yang, Boram Park, Moonryul
Jung
Korea,
Sogang University, School of Media, Art Technology, Seoul
Artificial Creatures from Biological Development and Evolution
Posters, Short Papers, Insallations, Artworks, Live-Performances
page 476
Andre' Rangel, Miguel Carvalhais, Pedro Tudela
Portugal, Universidade Católica, Porto
OAV, Multimodal Object
page 477
Angela Ferraiolo
US, Brown University, Providence, Rhode Island
Subway
page 478
Asghar Fahimi-Far
Iran, University of Tarbiat Modares, Tehran
Painted tile work in the Tekkiyeh Muaven
ul- Mulk in
Kermanshah
page 491
Anna URSYN
US, University of Northern Colorado, School of Art and Design
Computer Art, Nano Art, Programmed Art
page 492
Brian Evans
US, University of Alabama,
Dept. of Art & Art History
A Substrate for Creativity
page 493
Brigid Burke
Australia, University of Tasmania
The Process of Integrating Poly-media in
Blooms and Death
page 494
Clice Mazzilli
Brazil, University of Sao Paulo
Poetics of
generative cartograph
page 503
Celestino Soddu
Italy, Politecnico di Milano
Generative Architecture Students Posters
page 504
Celestino Soddu
Italy, Politecnico di Milano
Generative Baroque Architecture d'apres Borromini in the Rome of Piranesi
page 505
Enrica Colabella, Celestino Soddu Italy, Politecnico di Milano University Generative Architecture Students Posters
page 506
Gabriel Maldonado
Italy, independent musician
Flight
page 507
Davide Madeddu
Italy, University of Cagliari
Interactive facade optimized for daylighting and pedestrian response using a
genetic algorithm and an artificial
neural network
page 514
Filippo Pozzoli
Italy, Politecnico di Milano University
Generative musical metamorpohosis for a musical architecture
page 515
Costantino Rizzuti
Italy, Conservatorio S. Giacomantonio Cosenza
Euristica
page 516
Laurence Gartel
US, independent artist
35 years of
digital art
page 517
Grégoire Davy
BIPMAT 3.0
page 518
Jason M. Reizner
Germany, Bauhaus-Universität Weimar
Walls
Have Ears
page 519
Laurel Johannesson
Canada, University of Calgary Computational Media Design
Acqua Vellutata Sospesa
page 520
Małgorzata Dancewicz, Wojciech Benicewicz, Krzysztof Pawlik
Poland, INIRE
Dante's Songs 2.011
page 521
Massimo Gasperini
Italy, artist
Spira Mirabilis
page 522
Matteo Codignola
Italy, Arup
Generative algorithms as engine for creativity: digital visions
page 523
Mehrdad Garousi
Iran, independent artist
Sierpinski dream
page 524
Michael Burt
Israel,Technion, Israel Institute
of Technology
Bridging the Messina straits
page 532
Miri Weiss Cohen, Einat Leader
Israel, Braude College of Engineering, Kermiel; Bezalel Academy of Art and Design Jerusalem
An Intelligent Learning Design Support System for Jewelry
features
page 533
Penny
Feuerstein
US, School of the Art Institute of Chicago,
Department of Art and Technology
Trees on path, trees
page 539
Philip Galanter
US, Texas A&M University
:ChromaVox
page 540
Pierre Pepin
US, Jordan,
NYIT NEW YORK
Amman, Jordan Department
of Fine Art and
Computer Graphics
Become
a part of machine
page 541
Robert Spahr
US, Southern Illinois University, Carbondale
Red
Queen's Race (surveillance machine)
page 542
Tatsuo Unemi
Japan,
Soka University
SBArt4 as Automatic Art and Live
Performance Tool
page 543
Yoshiyuki Abe Japan, Artist, Tokyo
N220, N230, N240